https://kendallegettystudio.com/news daily 0.75 2026-02-09 https://kendallegettystudio.com/news/flauntmagazine2025 monthly 0.5 2026-02-09 https://images.squarespace-cdn.com/content/v1/64bff6f1d719650d0c0d3b8f/03bb1749-a839-4a19-8c03-6d86a5d3b9c7/692f7dd8a58b10f1ff9e873c_PERFORMA_KENDALLE_GETTY_FLAUNT_1.jpg News - FLAUNT MAGAZINE - Make it stand out Kendalle Getty, Yay Or Neigh, 2017. https://kendallegettystudio.com/news/laweekly2025 monthly 0.5 2026-02-09 https://images.squarespace-cdn.com/content/v1/64bff6f1d719650d0c0d3b8f/59d1e98f-4cfd-43d2-856b-53b5803f2308/Coppertoned.jpg News - LOS ANGELES WEEKLY - Make it stand out Kendalle Getty, Coppertoned, 2017. https://kendallegettystudio.com/news/superchief-gallery monthly 0.5 2026-02-09 https://images.squarespace-cdn.com/content/v1/64bff6f1d719650d0c0d3b8f/17713c2d-f2d0-4267-818e-3fb00b5b53e3/YayOrNeigh+%281%29.jpg News - SUPERCHIEF GALLERY - Make it stand out Kendalle Getty, Yay Or Neigh, 2017. https://kendallegettystudio.com/news/latimes2025 monthly 0.5 2026-02-09 https://images.squarespace-cdn.com/content/v1/64bff6f1d719650d0c0d3b8f/593f746b-f98c-4985-88da-c2ea22a11005/Screenshot+2026-02-06+at+4.02.30%E2%80%AFPM.png News - LOS ANGELES TIMES - Make it stand out A chimerical sculpture reaches a paw toward visitors. The piece by artist Kendalle Getty, is titled “M/other.” (Eric Licas) https://kendallegettystudio.com/news/hbac monthly 0.5 2026-02-09 https://images.squarespace-cdn.com/content/v1/64bff6f1d719650d0c0d3b8f/d5edb73d-bc4d-4d14-be6e-3b0738db5316/Getty_Kendalle_M_other2+%281%29.jpg News - HBAC - Make it stand out Kendalle Getty, M/other, 2021 - 2024, Multimedia https://kendallegettystudio.com/news/documentjournal2025 monthly 0.5 2026-02-09 https://images.squarespace-cdn.com/content/v1/64bff6f1d719650d0c0d3b8f/4f7d863d-4257-437a-9558-9a6e7bf45c3a/DOCUMENT_KENDALLEMIRROR_WEB-HEADER-2-scaled.jpg News - DOCUMENT JOURNAL - Make it stand out Photography by Hayden Sahli. All photographs courtesy of the artist and VIDOUN. Text by Alessandra Gómez https://kendallegettystudio.com/news/whitehot2024 monthly 0.5 2026-02-09 https://images.squarespace-cdn.com/content/v1/64bff6f1d719650d0c0d3b8f/085ee986-a9cc-4307-bb8b-23fa37f0064b/DSCF4789-Edit.jpg News - WHITEHOT MAGAZINE - Make it stand out Image Portrait of a Narcissist Kendalle Getty images Courtesy of Tyler Ward Zepster Gallery. https://kendallegettystudio.com/news/spikeartmagazine2024 monthly 0.5 2026-02-09 https://images.squarespace-cdn.com/content/v1/64bff6f1d719650d0c0d3b8f/23604158-9534-4163-ab06-55336f4ff286/f0aecf5a97f954dd1725ce11a8de0d5130994b7a-960x1280.png News - SPIKE ART MAGAZINE - Gage was making their curatorial debut at the fair, presenting a solo show called “Hostile Home” by the artist Kendalle Getty This year, I decided to focus on the pop-up shows and performances happening on the sidelines, which is where I decided the real action was happening. The only fair I braved was SPRING/BREAK, which focuses on more offbeat works from local artists. There, I ran into Gage Spex, co-founder of New York’s seminal queer party palace The Spectrum. It was surreal to see Gage outside the nightlife spaces where they typically reign over the dance floor in face paint and avant-garde alienware. “Oh, I decided to go with a little light drag,” they said coyly, spinning around in a 60s housewife dress. Gage was making their curatorial debut at the fair, presenting a solo show called “Hostile Home” by the artist Kendalle Getty, who arrived in billowing pink sleeves and neon green hair. Getty’s mother, Cynthia Beck, was the mistress of composer and oil heir Gordon Getty, and Kendalle only discovered her status as a “bastard princess” (as she refers to herself in her Instagram bio) when she was twelve. “Hostile Home” is a semiotic analysis of family, belonging, and privilege, informed by Getty’s struggle to assimilate her father’s true identity. “To smack one’s head against the ceiling of one’s privilege is a necessary experience,” she told Dazed. Read more here. https://kendallegettystudio.com/news/documentjournal2024 monthly 0.5 2026-02-09 https://images.squarespace-cdn.com/content/v1/64bff6f1d719650d0c0d3b8f/3e44885b-fdef-4152-9bfe-27d18aec3d32/Kendalle-Getty-The-Golden-Child-2022.-Polyresin-chair-home-grown-crystals_WEB.jpg News - DOCUMENT JOURNAL - Document’s new Editor of Arts and Lifestyle highlights the standout projects from the west coast event Brooklyn’s underground monarch, Gage Spex, landed at Spring/Break Art Show to curate some of multimedia artist Kendalle Getty’s most seminal work in an exhibition titled The Hostile Home. Placed in the center aisle of Spring/Break’s Culver City show space, Spex’s booth was the standout of the independent fair. The eight works by Getty included etched mirrors (Reflections on Mortality, Reflections on Aging), an ornate homegrown crystal chair (The Golden Child), and a mid-century modern media unit with a film (Untitled), all exploring the unsettling hidden truths of the home where the artist grew up. Untitled portrays Getty’s atypical relationship with media, having been raised without television. Their histrionic interpretation of sitcoms and advertising was told through character acting in a montage of fast paced and melodramatic clips, with a comedic hard edge that exhibits existential hysteria. Read more here. https://kendallegettystudio.com/news/fadmagazine2024 monthly 0.5 2026-02-09 https://images.squarespace-cdn.com/content/v1/64bff6f1d719650d0c0d3b8f/35af48ac-1dbd-4e77-bfa7-583ee01a6d1c/KendalleGetty-copy-900x1200.jpg News - FAD MAGAZINE - You will want to stop by to see works by these 5 artists and chat with the artist or curator. As one of the first people to arrive at SPRING/BREAK 2024, I noticed that the show had an immediate intimacy and playfulness that beheld itself to more casual encounters with artists and curators, unlike many other art shows. Unique art forms ranged from AI-driven works to more traditional mediums. Curators and artists played with the theme this year of interior/exterior in diverse ways. It is hard to miss Kendalle Getty’s booth with “The Hanged Man” on the wall, reflective of an inverted tarot card that symbolizes procrastination, insecurities, frustration, and disappointment. The inner confusion continues to be shown outwardly through chaotic scenes of old food on a table, a chair ridden with nails and mirrors capturing song quotes with undercurrents of despair and angst. Among other surprises is a chair adorned with crystals that took over a year to grow. Read more here. https://kendallegettystudio.com/news/hostile-home-at-springbreak-art-show-in-la monthly 0.5 2026-02-09 https://images.squarespace-cdn.com/content/v1/64bff6f1d719650d0c0d3b8f/706d88c7-7a78-4848-8251-a63844aefdb9/DSCF8104-Edit-2.jpg News - SPRING/BREAK 2024 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://kendallegettystudio.com/news/dazed2023 monthly 0.5 2026-02-09 https://images.squarespace-cdn.com/content/v1/64bff6f1d719650d0c0d3b8f/5162ea3a-8894-4437-af61-183f6367779e/Screenshot+2024-03-26+at+1.10.52+PM.png News - DAZED - ‘I treat it as somewhere between an exorcism and alchemy’: the multidisciplinary artist speaks to Dazed about Hostile Home – her upcoming exhibition exploring the opulence, privilege, and secrecy of her extraordinary past Making art – alongside all the deep reading and thinking that inform the conception of her work – is a “coping mechanism” for multidisciplinary artist, Kendalle Getty. “I experienced a lot of gaslighting as a child, it has made my relationship to reality a bit skittish,” she explains, talking over Zoom from the studio on the grounds of her Hollywood mansion. “I’m always curious where the line is between reality and perception, and what inspires me as an artist is externalising these fears. I treat it as somewhere between an exorcism and alchemy. If I can just get it out of me and out there, perhaps I can transmute this shit into gold.” This sense of reckoning with her complicated past – which reads like the plot of a modern classic American novel – is the eminent force permeating her mordant, enthralling artworks. Read more here. https://kendallegettystudio.com/news/culturedmag2023 monthly 0.5 2026-02-09 https://images.squarespace-cdn.com/content/v1/64bff6f1d719650d0c0d3b8f/926a2eb1-68d6-4acc-9105-8b18c884e6aa/Screenshot+2024-03-26+at+1.07.52+PM.png News - CULTURED MAGAZINE - The Los Angeles-based artist and daughter of Gordon Getty talks to CULTURED about her love of theory, making messy work, and being a part-time Getty. Kendalle Getty’s first exposure to art was in kindergarten. She would draw beside her older sister and admire her sibling’s ease. She wanted that for herself. As a teenager, she would discover that she was the daughter of Gordon Getty, composer and an heir to one of the most significant American empires, when her mother Cynthia Beck went to court to petition for her daughters to share the family’s name. More than two decades later, Kendalle harnesses the intensity of her history to make haunting and caustic sculptural, video, and audio interventions under the umbrella of “Hostile Home,” a multi-room installation. Several works from the collection will be included in a group show at Elijah Wheat Showroom this fall. The renegade artist also performs with Poetry Brothel, an immersive cabaret, and has worked on short films, including a recent music video for Glüme and Sean Ono Lennon. As the notorious family returned to the news cycle with the second installment of her father and late stepmother’s collection, “The Ann and Gordon Getty Collection,” hitting Christie’s this month, Kendalle called CULTURED to talk about her love of theory, making messy work, and being a part-time Getty. 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